New Delhi, May 18: Hazari Prasad Dwivedi is a name that resonates with great respect in discussions about Hindi literature and Indian culture. He passed away on May 19, 1979, but his works continue to inspire generations.
Dwivedi was not just a writer; he was a scholar, thinker, and critic who provided a new direction to Hindi literature. Born in a small village in Ballia district, Uttar Pradesh, he influenced the entire Hindi literary world through his intellect and hard work. He built a beautiful bridge between tradition and modernity, believing that Indian culture is not static but continuously evolving. With this philosophy, he transformed Hindi prose and enriched it.
His early education took place at the Sanskrit College in Kashi, where he earned his Shastri in Sanskrit literature in 1929 and a Shastri Acharya in astrology in 1930. His life took a significant turn when he arrived at Santiniketan. On November 8, 1930, he began working as a Hindi teacher there and remained for nearly two decades, eventually becoming the director of the Hindi Bhavan. During this time, he was influenced by Gurudev Rabindranath Tagore and Acharya Kshitimohan Sen, which deepened his personality and thought. As a disciple of Tagore, Dwivedi connected Hindi literature with the literary consciousness of Bengal.
In 1950, he returned to Varanasi and became the head of the Hindi department at Banaras Hindu University. He later led the Hindi department at Punjab University in Chandigarh and served as the rector of BHU in 1967. He also played a crucial role as a member of the Official Language Commission.
Dwivedi’s literary contributions were multifaceted. He left an indelible mark across various genres, including novels, essays, criticism, and literary history. His notable novels, such as “Banabhatta ki Atmakatha,” “Charu Chandralekha,” “Anamdas ka Potha,” and “Punarnava,” are still regarded as classics in Hindi literature. His essay collections, including “Ashok ke Phool,” “Kutz,” “Alok Parv,” and “Kalpalata,” gained immense popularity. His critical works, such as “Hindi Sahitya ki Bhumika,” “Nath Sampraday,” “Kabir,” and “Sur-Sahitya,” reflect his profound scholarship. His language was simple, accessible, satirical, and impactful, giving new dimensions to Hindi prose.
His contributions have been recognized with numerous honors, including the Padma Bhushan in 1957, the Sahitya Akademi Award, and the Tagore Award. Lucknow University conferred upon him an honorary D.Litt.
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