‘Prahaar’ Review: Rajkummar Rao Shines in Gripping Courtroom Drama

Mumbai, October 15 (Daily Kiran) : The film “Prahaar: The Untold Story of Ujjwal Nikam,” directed by Avinash Arun, features a standout performance by Rajkummar Rao. The movie, which runs for 140 minutes, also stars Vamika Gabbi, Lalit Prabhakar, Jaideep Ahlawat, Sikandar Kher, and Ashish Vidyarthi. It has received a rating of 4.5.

The tragic events of November 26, 2008, are etched in the minds of many. The images of terror, fear, and loss from the Mumbai attacks remain vivid. However, how many are aware of the aftermath? The lengthy legal battles and the pursuit of justice by those who continued their work after the cameras left?

The film captures this essence with Ujjwal Nikam’s poignant words: “Justice delivered in haste is akin to burying justice.” “Prahaar” moves beyond the tragedy to depict the courtroom battles that followed, reminding us that holding the responsible accountable requires patience, unwavering faith, and a staunch belief in the law.

Directed by Arun, “Prahaar” touches on the legal proceedings surrounding Ajmal Kasab’s trial, while also referencing the 1993 Mumbai bombings. Yet, the narrative extends beyond courtroom debates to explore the personal sacrifices of a man whose profession leaves little room for a normal family life.

Rajkummar Rao portrays Ujjwal Nikam, with Lalit Prabhakar as Kasab. Sikandar Kher plays Kasab’s defense attorney, while Jaideep Ahlawat delivers a compelling performance as a Pakistani prosecutor involved in the case. Vamika Gabbi portrays Nikam’s wife Jyoti, and Ashish Vidyarthi appears as Justice M.L. Tahiliyani.

Rao is the film’s greatest asset. His performance is grounded and nuanced. From his expressions to his dialogue delivery and commanding presence in court, every aspect is meticulously crafted. He avoids turning every interaction into a dramatic declaration, which works in the film’s favor. The final arguments related to Kasab and the courtroom confrontations are particularly impactful. Rao effectively conveys Nikam’s steadfast beliefs without any artificiality, highlighting the character’s personal struggles as a prosecutor and father.

One of the film’s emotional arcs revolves around Ujjwal Nikam and his son Aniket. Nikam’s demanding career often sidelines his family life. When Aniket, after completing his law studies, begins interning with his father, he hopes to learn from him. However, despite being his son, he receives no special treatment; Nikam treats him like any other junior associate, showing rigidity instead of paternal warmth.

The tension between professional respect and personal affection is palpable in their relationship. In the courtroom, a son seeks his father’s approval, while a father grapples with expressing his affection.

Lalit Prabhakar makes a strong impression as Kasab, delivering a haunting performance. His confession towards the film’s climax is particularly memorable. Sikandar Kher brings seriousness and restraint to his role as the defense lawyer, while Jaideep Ahlawat impresses as the Pakistani prosecutor, presenting his character with multiple layers. Vamika Gabbi adds emotional warmth as Jyoti Nikam, reminding viewers of the family impacted by Ujjwal Nikam’s demanding career. Ashish Vidyarthi lends gravitas to the courtroom proceedings as Justice M.L. Tahiliyani.

Arun’s direction is balanced and credible. Instead of constantly heightening emotions, he allows the legal proceedings to create their own tension. The screenplay is impactful, with many dialogues resonating deeply without feeling like mere speeches. The courtroom scenes focus on arguments, evidence, and the quest for justice, keeping the narrative engaging without losing seriousness. The background score enhances the tension during critical debates and emotional scenes without overshadowing the actors’ performances.

Produced by Dinesh Vijan under the Maddock Films banner, “Prahaar” adds to the diverse styles of films from this production house. From the dark themes of “Badlapur” to the socially relevant narratives of “Mimi” and the horror-comedy “Stree,” Vijan’s films showcase a variety of stories. This film centers on the real legal battle and the arduous process of ensuring accountability after a national tragedy. Arun presents the story with sensitivity and restraint.

“Prahaar: The Untold Story of Ujjwal Nikam” is an engaging courtroom drama that transcends headlines to tell a deeper story. Rajkummar Rao’s committed performance strengthens the film, while the supporting cast adds depth to the legal battle and its personal ramifications. The writing, direction, and background score maintain a balance between tension and emotion. Most importantly, the film serves as a reminder that justice is not achieved overnight and often requires sacrifices that go unnoticed by the outside world.

“Prahaar” is a must-watch courtroom drama for its acting, emotional depth, and portrayal of the long road to justice.